Alibi Ike by Ring Lardner @ Classic Reader

I

 

HIS right name was Frank X. Farrell, and I guess the X stood for “Excuse me.” Because he never pulled a play, good or bad, on or off the field, without apologizin’ for it.

“Alibi Ike” was the name Carey wished on him the first day he reported down South. O’ course we all cut out the “Alibi” part of it right away for the fear he would overhear it and bust somebody. But we called him “Ike” right to his face and the rest of it was understood by everybody on the club except Ike himself.

He ast me one time, he says:

“What do you all call me Ike for? I ain’t no Yid.”

“Carey give you the name,” I says. “It’s his nickname for everybody he takes a likin’ to.”

“He mustn’t have only a few friends then,” says Ike. “I never heard him say ‘Ike’ to nobody else.”

But I was goin’ to tell you about Carey namin’ him. We’d been workin’ out two weeks and the pitchers was showin’ somethin’ when this bird joined us. His first day out he stood up there so good and took such a reef at the old pill that he had everyone lookin’. Then him and Carey was together in left field, catchin’ fungoes, and it was after we was through for the day that Carey told me about him.

“What do you think of Alibi Ike?” ast Carey.

“Who’s that? ” I says.

“This here Farrell in the outfield,” says Carey.

“He looks like he could hit,” I says.

“Yes,” says Carey, “but he can’t hit near as good as he can apologize.”

Then Carey went on to tell me what Ike had been pullin’ out there. He’d dropped the first fly ball that was hit to him and told Carey his glove wasn’t broke in good yet, and Carey says the glove could easy of been Kid Gleason’s gran’father. He made a whale of a catch out o’ the next one and Carey says “Nice work!” or somethin’ like that, but Ike says he could of caught the ball with his back turned only he slipped when he started after it and, besides that, the air currents fooled him.

“I thought you done well to get to the ball,” says Carey.

“I ought to been settin’ under it,” says Ike.

“What did you hit last year?” Carey ast him.

“I had malaria most o’ the season,” says Ike. “I wound up with .356.”

“Where would I have to go to get malaria?” says Carey, but Ike didn’t wise up.

I and Carey and him set at the same table together for supper. It took him half an hour longer’n us to eat because he had to excuse himself every time he lifted his fork.

“Doctor told me I needed starch,” he’d say, and then toss a shoveful o’ potatoes into him. Or, “They ain’t much meat on one o’ these chops,” he’d tell us, and grab another one. Or he’d say: “Nothin’ like onions for a cold,” and then he’d dip into the perfumery.

“Better try that apple sauce,” says Carey. “It’ll help your malaria.”

“Whose malaria?” says Ike. He’d forgot already why he didn’t only hit .356 last year.

I and Carey begin to lead him on.

“Whereabouts did you say your home was?” I ast him. “I live with my folks,” he says. “We live in Kansas City–not right down in the business part–outside a ways.”

“How’s that come?” says Carey. “I should think you’d get rooms in the post office.”

But Ike was too busy curin’ his cold to get that one.

“Are you married?” I ast him.

“No,” he says. “I never run round much with girls, except to shows onct in a wile and parties and dances and roller skatin’.”

“Never take ‘em to the prize fights, eh?” says Carey.

“We don’t have no real good bouts,” says Ike. “Just bush stuff. And I never figured a boxin’ match was a place for the ladies.”

Well, after supper he pulled a cigar out and lit it. I was just goin’ to ask him what he done it for, but he beat me to it.

“Kind o’ rests a man to smoke after a good work-out,” he says. “Kind o’ settles a man’s supper, too.”

“Looks like a pretty good cigar,” says Carey.

“Yes,” says Ike. “A friend o’ mine give it to me–a fella in Kansas City that runs a billiard room.”

“Do you play billiards?” I ast him.

“I used to play a fair game,” he says. “I’m all out o’ practice now–can’t hardly make a shot.”

We coaxed him into a four-handed battle, him and Carey against Jack Mack and I. Say, he couldn’t play billiards as good as Willie Hoppe; not quite. But to hear him tell it, he didn’t make a good shot all evenin’. I’d leave him an awful-lookin’ layout and he’d gather ‘em up in one try and then run a couple o’ hundred, and between every carom he’d say he’d put too much stuff on the ball, or the English didn’t take, or the table wasn’t true, or his stick was crooked, or somethin’. And all the time he had the balls actin’ like they was Dutch soldiers and him Kaiser William. We started out to play fifty points, but we had to make it a thousand so as I and Jack and Carey could try the table.

The four of us set round the lobby a wile after we was through playin’, and when it got along toward bedtime Carey whispered to me and says:

“Ike’d like to go to bed, but he can’t think up no excuse.”

Carey hadn’t hardly finished whisperin’ when Ike got up and pulled it:

“Well, good night, boys,” he says. “I ain’t sleepy, but I got some gravel in my shoes and it’s killin’ my feet.”

We knowed he hadn’t never left the hotel since we’d came in from the grounds and changed our clo’es. So Carey says:

“I should think they’d take them gravel pits out o’ the billiard room.”

But Ike was already on his way to the elevator, limpin’.

“He’s got the world beat,” says Carey to Jack and I. “I’ve knew lots o’ guys that had an alibi for every mistake they made; I’ve heard pitchers say that the ball slipped when somebody cracked one off’n ‘em; I’ve heard infielders complain of a sore arm after heavin’ one into the stand, and I’ve saw outfielders tooken sick with a dizzy spell when they’ve misjudged a fly ball. But this baby can’t even go to bed without apologizin’, and I bet he excuses himself to the razor when he gets ready to shave.”

“And at that,” says Jack, “he’s goin’ to make us a good man.”

“Yes,” says Carey, “unless rheumatism keeps his battin’ average down to .400.”

Well, sir, Ike kept whalin’ away at the ball all through the trip till everybody knowed he’d won a job. Cap had him in there regular the last few exhibition games and told the newspaper boys a week before the season opened that he was goin’ to start him in Kane’s place.

“You’re there, kid,” says Carey to Ike, the night Cap made the ‘nnouncement. “They ain’t many boys that wins a big league berth their third year out.”

“I’d of been up here a year ago,” says Ike, “only I was bent over all season with lumbago.”

continue reading at Alibi Ike by Ring Lardner

The Chili-Cookoff by W. Bruce Cameron

The Chili-Cookoff
By W. Bruce Cameron
Apr 25, 2008, 09:23 PST

For those of you who have lived in Texas, you know how true this scenario can be. There is actually a Chili Cook Off in Texas about the time Halloween comes around. It takes up a major portion of a parking lot at the San Antonio City Park. In this little story, Judge #3 was an inexperienced Chili Taster named Frank, who was visiting from Springfield, IL.

Frank: “Recently, I was honored to be selected as a judge at a chili cook-off. The original person called in sick at the last moment and I happened to be standing there at the judge’s table asking for directions to the Coors

Light truck, when the call came in. I was assured by the other two judges (Native Texans) that the chili wouldn’t be all that spicy and, besides, they told me I could have free beer during the tasting, so I accepted.”

Here are the scorecard notes from the event:

CHILI # 1 – MIKE’S MANIAC MONSTER CHILI…

Judge # 1 — A little too heavy on the tomato. Amusing kick.

Judge # 2 – Nice, smooth tomato flavor. Very mild.

Judge # 3 (Frank) – Holy smokes, what is this stuff? You could remove dried paint from your driveway with it. Took me two beers to put the flames out. Hope that’s the worst one. These people are crazy.

continue reading… The Chili-Cookoff.

You Don’t Like Short Stories? Let Me Recommend…

Top Ten Tuesday is an original feature/weekly meme created at The Broke and the Bookish.

Everyone is welcome to join.

Just link back to The Broke and the Bookish on your own Top Ten Tuesday post AND add your name to the Linky widget so that everyone can check out your list! If you don’t have a blog, just post your answers as a comment. Have fun with it! It’s a fun way to get to know your fellow bloggers.

Today’s Top Ten Tuesday Topic:
You Don’t Like Short Stories?  Let Me Recommend…

1.  Why I Live at the P. O. by Eudora Welty
This is perhaps one of the funniest short stories I have ever read, and each & every time I reread it, I’m amused all over again.  It is a classic southern short story, full of family dysfunction, righteous indignation, ridiculous misunderstandings, and competitive one-upmanship.  Though easy enough to relate to if you hail from The South, it is truly a universal story of crazy family relations.

2.  A Good Man is Hard to Find by Flannery O’Connor
Flannery O’Connor was an astute observer of human nature and a harsh critic of hypocrisy, particularly that of overtly & publicly pious “Christians” who continually cast judgment on others, but could not see the deceitfulness of their own hearts.   O’Connor’s short stories are beautifully crafted & exquisitely worded expositions on society…nearly perfect in their construction, and with themes as applicable today as the time she wrote them.

3.  Rita Hayworth & the Shawshank Redemption by Stephen King
In my humble opinion, this is perhaps the best of King’s short stories.  He is a master craftsman, especially of matters dark and horrific, and while this story departs to some degree from his typical fair, it is tightly crafted as his best novels.  And though the movie on which it was based is excellent, the story is (as is almost always the case) better, and therefore worth the read.

4.  The Body by Stephen King
Again, an exceptionally good story by the master of the horror genre.  If you remember the movie Stand By Me, then you know the plot, as this was the story on which the movie was based.  And again, as mentioned above, the movie is wonderful, but the story is better.

5.  The Dead by James Joyce
It is a psychological study if ever there was one, set in the familiar setting of the annual dinner and dance party hosted by some friends.  Throughout the evening, the socially awkward and uncomfortable protagonist undergoes an epiphany as he struggles through the evening, learning along the way how little he knows of his own spouse.  For those with a taste for heavier fair, this is Joyce at his best, but without the overwhelming difficulty (and length) of his more daunting works.

6.  The Gift of the Magi by O. Henry
A truly beautiful story of love, and how true love puts the needs and desires of others before the needs and desires of oneself.  It is the Christmas spirit at it’s best, and while not an annual tradition at Christmas, it should be because of its flawless illustration of what Christmas spirit really is, and as such what (and who) the season is really about.

7.  The Celebrated Jumping Frog of Calaveras County by Mark Twain
A well known and favorite short story by Mark Twain, an author known for both his humor and his harsh social commentary, this story does indeed deliver on both counts.  It’s a humorous tale of a man given to betting on anything, and a short commentary on cheating.  It is not didactic or boring, and will leave you with a chuckle, but it is also a reminder to watch the eggs in your basket (to borrow another Twainism).

8.  The Night the Bed Fell by James Thurber
When a humorist writes a story of calamity and a hysterical woman, this is the story that results.  It is hilarious, truly hilarious!

9.  The Beard by Fred Chappell
Fred Chappell is known for his short stories, and the collect in which “The Beard” is published (I Am One of You Forever) is good as a whole.  The Beard, however, is my favorite of this collection.  It is riotously funny, metaphorical in its construction, and has perhaps one of the most perfectly worded and memorable lines in all of reading:  “I have had an elegant sufficiency.  Any more would be a superfluity.”  It is memorable not only because it is hilariously poetic, but also because it is the only utterance of the otherwise silent Uncle Gurton.

10.  The Shawl by Cynthia Ozick
An easy read linguistically, but a tough subject.  This story is set toward the end of WWII, and it is the story of a woman and her baby living in one of the Nazi concentrations camps.  It is brutal, but no more brutal than its subject matter.  Having read a number of books & stories set during the Holocaust, I can say that this is as good a place to start as any, due to its brevity.  It also provides a great lead-in to Ozick’s novella Rosa, which I ultimately liked better.

REVIEW: The Snows of Kilimanjaro by Ernest Hemingway

Audio CD, 1 disk (1 hours)
Published February 1st 2008 by Caedmon (first published 1939)
ISBN:  0061457841
2 stars overall / 4 stars audio narration
Goodreads Synopsis:
It came with a rush; not as a rush of water nor of wind; but of a sudden evil-smelling emptiness. . .  A flamboyant, hard-drinking, ruthless and womanizing world adventurer comes face-to-face with the one antagonist he cannot conquer: his own ignoble and imminent death. . . .Written in 1938, The Snows of Kilimanjaro is a classic distillation of the themes Ernest Hemingway obsessively explored throughout his writing career.  When Harry, the central character, goes on safari to  work the fat off his mind,  his ambitions are cut short when a terrible accident leaves him facing his ultimate death and weighing the meaning of his life.  Hemingway’s brilliant prose is given a penetrating and moving reading by Charlton Heston in an audio that only deepens in meaning with each listening.
My Thoughts:
I have to say that I didn’t love it.  Perhaps I’m missing the point, perhaps not.  After four atempts to get through it – and the audio version at that – I finally did.  Charlton Heston, while wonderful as a narrator, could not revive what was an irretrievably dull story for me.  Oh well…

REVIEW: The Complete Stories by Flannery O’Connor

Hardcover, 572 pages 
Published January 1st 1984 by Douglas & McIntyre / Fsg Adult (first published 1971)  
ISBN: 0374127522 (ISBN13: 9780374127527) 
original title: The Complete Stories 
literary awards: National Book Award for Fiction (1972) 
5 stars Goodreads Synopsis: 
The publication of this extraordinary volume firmly established Flannery O’Connor’s monumental contribution to American fiction. There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O’Connor put together in her short lifetime–Everything That Rises Must Converge and A Good Man Is Hard to Find. O’Connor published her first story, “The Geranium,” in 1946, while she was working on her master’s degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, “Judgement Day”–sent to her publisher shortly before her death—is a brilliantly rewritten and transfigured version of “The Geranium.” Taken together, these stories reveal a lively, penetrating talent that has given us some of the most powerful and disturbing fiction of the twentieth century. Also included is an introduction by O’Connor’s longtime editor and friend, Robert Giroux.

My Thoughts:
I’ve been skipping around with the stories in this book, primarily because I’m reading them for book group discussions, and I think I will try and review each story as I read it rather than analyze the book as a whole (which is next to impossible).

Let me first start with saying that Flannery O’Connor is a genius of a writer, with an immeasurable talent for biting social commentary. It is not out of place to compare her in spirit to Mark Twain, and while she is a different style of writer than Twain, they share a common bond of identifying the social ills of their generation(s) and skewering them repeatedly in their writing. O’Connor is a standout in the genre of Southern Gothic, and she used both hyperbole and the grotesque to sharply and critically harpoon accepted social mores, customs and beliefs – both religious and political – with which she vehemently disagreed. She was also a Christian, and had little patience with the legalistic and judgmental “Christians” the she often encountered. To say that she saw them as disingenuous is an understatement, as her writing gives evidence to the fact that she could not suffer the shallowness of their faith or their total misunderstanding of grace and salvation.

O’Connor’s stories, as they shed light on the cultural woes of the American South, make us uncomfortable, and sometimes offend us. But her purpose in going there is to make us think critically about ourselves as she exposes hypocritical behavior in others. These are not for the faint of heart, and they are not frothy or fun. They are, however, meaty and complex, upsetting and difficult, and ultimately satisfying in mental, spiritual and emotional ways.

So, without further ado…my impressions of the stories as I read them.

The Geranium – thoughts forthcoming

The Barber – Skewering the ridiculousness of racial politics with a sharp understanding that political issues should have no color. It’s interesting, though, how O’Connor uses an inarticulate man to make this point, and thus sheds light on the weaknesses and foibles of both sides of the political debate.

Wildcat
The Crop
The Turkey
The Train
The Peeler
The Heart of the Park
A Stroke of Good Fortune
Enoch and the Gorilla

A Good Man is Hard to Find – A very pointed statement about what is good and what is evil, and how perceptions can be very distorted. The Grandmother is “supposed” to be good because she is pious, but she is judgmental and critical, and her faith is shallow. The Misfit – a murderer – is an evil man, but he understands who God is with great clarity, and though he has no faith at all, he is the vehicle through with the Grandmother is exposed, and through which O’Connor causes us as readers to inspect our own beliefs.

A Late Encounter with the Enemy
The Life You Save May Be Your Own
The River
A Circle in the Fire
The Displaced Person
A Temple of the Holy Ghost
The Artificial Nigger

Good Country People – rereading

You Can’t Be Any Poorer than Dead
Greenleaf
A View of the Woods
The Enduring Chill
The Comforts of Home

Everything That Rises Must Converge – rereading

The Partridge Festival
The Lame Shall Enter First
Why Do the Heathen Rage?

Revelation – (on deck) – thoughts next week

Parker’s Back – Here is another sharply critical commentary on Christianity, particularly what constitutes faith and what does not. Parker is not a Christian – not saved, but he marries Sarah Ruth, who is. In the end, though, it is he whose faith is found, and hers that is found wanting.

Judgement Day- thoughts forthcoming