How Is Fiction True and Valuable? – Desiring God

How Is Fiction True and Valuable?

by Desiring God Staff | August 30, 2007

In his Touchstone article about evangelicals and literature, Donald Williams looks at the fiction of Flannery O’Connor and how her Catholic faith made her art possible. The question he wants to answer by considering O’Connor is why there are no evangelical writers who are recognized for their similarly high literary quality. Here is one of the reasons that he notes:

[T]he popular Evangelical subculture seems … addicted to pragmatism in its approach, as a brief trip through the “Christian bookstore” will show. Fiction can only be justified if it has an overt evangelistic purpose; works of visual art must have a Scripture verse tacked under them.

Evangelistic fiction and paintings with Bible verses are obviously pragmatic. But the pragmatism that hinders evangelical art can be more subtle, too. One of the less obvious ways that our artistic utilitarianism shows itself is the impulse to reduce art to propositions about art. This is the only way that many people know how to interact with art—or at least the only way they trust. If we can say what a story means, for instance, and we’ve summed up this meaning in a statement about truth that we agree with, then we think it’s a good story—good art. And if a story resists summary or does not distill into a statement we believe, then we have no use for it—it’s bad art.

Flannery O’Connor contradicts this take on art in her book of essays Mystery and Manners. She writes:

Some people have the notion that you read the story and then climb out of it into the meaning, but for the fiction writer himself, the whole story is the meaning, because it is an experience, not an abstraction. (73)

And later:

A story is a way to say something that can’t be said any other way, and it takes every word in a story to say what the meaning is. You tell a story because a statement would be inadequate. (96)

O’Connor is concerned that many people treat art as valuable only for its propositional “meaning.” If we read fiction or poetry and we look for “the point” instead of immersing ourselves in the experience, we ruin our faculty for truly enjoying it. We will see or read or listen to great art and only think of it as a cipher to be broken. The pleasure of the art will be replaced by the pleasure of “figuring it out.” Sure, there is sometimes deciphering to be done, but that is not the point of a story or a poem.

Here is O’Connor’s exhortation:

I realize that a certain amount of this what-is-the-significance has to go on, but I think something has gone wrong in the process when, for so many students, the story becomes simply a problem to be solved, something which you evaporate to get Instant Enlightenment….

Properly, you analyze to enjoy, but it’s equally true that to analyze with any discrimination, you have to have enjoyed already. (108)

Fiction and poetry provide authors a unique way to glorify Christ that more overtly intellectual genres, like theology, simply can’t. These genres that aim directly for the heart and soul—rather than aiming at the heart through the mind—do not argue for belief, they show what it looks like and make you feel it. Theology, devotionals, and other books in the “Christian Living” section of the bookstore talk about belief explicitly. Their goal is to explain truth as clearly as possible. Fiction and poetry, on the other hand, tell the truth, but tell it slant. They offer an author a way to give his beliefs flesh and blood by enacting them in the confusion of the real world. In fiction, belief is not what you look at, but what you look through.

The question remains whether Flannery O’Connor succeeded in living up to the standard she set for Christian writers, but the standard itself is a worthy goal:

Now none of this is to say that when you write a story, you are supposed to forget or give up on any moral position that you hold. Your beliefs will be the light by which you see, but they will not be what you see and they will not be a substitute for seeing. (91)

via How Is Fiction True and�Valuable? – Desiring God.

Letters of Note: The Bulk of All Human Utterances is Plagiarism

In 1892, deafblind author Helen Keller was accused of plagiarism after a short story of hers, named “The Frost King,” was identified as being extremely similar to Margaret Canby’s “Frost Fairies.” An investigation followed, as did a tribunal in which she was eventually acquitted. Amazingly, Keller was just 12 years of age at the time.

A decade later, her friend, Mark Twain, learned of the episode after reading Keller’s autobiography. He then wrote her the fascinating letter of support seen below.

(Source: Mark Twain’s Letters, Vol. 2 of 2; Image: Mark Twain, via.)

Riverdale-on-the-Hudson
St. Patrick’s Day, ’03

Dear Helen,—

I must steal half a moment from my work to say how glad I am to have your book, and how highly I value it, both for its own sake and as a remembrance of an affectionate friendship which has subsisted between us for nine years without a break, and without a single act of violence that I can call to mind. I suppose there is nothing like it in heaven; and not likely to be, until we get there and show off. I often think of it with longing, and how they’ll say, “There they come—sit down in front!” I am practicing with a tin halo. You do the same. I was at Henry Roger’s last night, and of course we talked of you. He is not at all well;—you will not like to hear that; but like you and me, he is just as lovely as ever.

I am charmed with your book—enchanted. You are a wonderful creature, the most wonderful in the world—you and your other half together—Miss Sullivan, I mean, for it took the pair of you to make a complete and perfect whole. How she stands out in her letters! her brilliancy, penetration, originality, wisdom, character, and the fine literary competencies of her pen—they are all there.

Oh, dear me, how unspeakably funny and owlishly idiotic and grotesque was that “plagiarism” farce! As if there was much of anything in any human utterance, oral or written, except plagiarism! The kernel, the soul—let us go further and say the substance, the bulk, the actual and valuable material of all human utterances—is plagiarism. For substantially all ideas are second-hand, consciously and unconsciously drawn from a million outside sources, and daily use by the garnerer with a pride and satisfaction born of the superstition that he originated them; whereas there is not a rag of originality about them anywhere except the little discoloration they get from his mental and moral calibre and his temperament, and which is revealed in characteristics of phrasing. When a great orator makes a great speech you are listening to ten centuries and ten thousand men—but we call it his speech, and really some exceedingly small portion of it is his. But not enough to signify. It is merely a Waterloo. It is Wellington’s battle, in some degree, and we call it his; but there are others that contributed. It takes a thousand men to invent a telegraph, or a steam engine, or a phonograph, or a telephone or any other important thing—and the last man gets the credit and we forget the others. He added his little mite—that is all he did. These object lessons should teach us that ninety-nine parts of all things that proceed from the intellect are plagiarisms, pure and simple; and the lesson ought to make us modest. But nothing can do that.

Then why don’t we unwittingly reproduce the phrasing of a story, as well as the story itself? It can hardly happen—to the extent of fifty words except in the case of a child; its memory-tablet is not lumbered with impressions, and the actual language can have graving-room there, and preserve the language a year or two, but a grown person’s memory-tablet is a palimpsest, with hardly a bare space upon which to engrave a phrase. It must be a very rare thing that a whole page gets so sharply printed on a man’s mind, by a single reading, that it will stay long enough to turn up some time or other to be mistaken by him for his own. No doubt we are constantly littering our literature with disconnected sentences borrowed from books at some unremembered time and now imagined to be our own, but that is about the most we can do. In 1866 I read Dr. Holmes’s poems, in the Sandwich Islands. A year and a half later I stole his dedication, without knowing it, and used it to dedicate my “Innocents Abroad” with. Then years afterward I was talking with Dr. Holmes about it. He was not an ignorant ass—no, not he; he was not a collection of decayed human turnips, like your “Plagiarism Court;” and so when I said, “I know now where I stole it, but whom did you steal it from,” he said, “I don’t remember; I only know I stole it from somebody, because I have never originated anything altogether myself, nor met anyone who had.”

To think of those solemn donkeys breaking a little child’s heart with their ignorant rubbish about plagiarism! I couldn’t sleep for blaspheming about it last night. Why, their whole lives, their whole histories, all their learning, all their thoughts, all their opinions were one solid rock of plagiarism, and they didn’t know it and never suspected it. A gang of dull and hoary pirates piously setting themselves the task of disciplining and purifying a kitten that they think they’ve caught filching a chop! Oh, dam—

But you finish it, dear, I am running short of vocabulary today.

Every lovingly your friend

Mark

via Letters of Note: The Bulk of All Human Utterances is plagiarism.

101 Books To Read This Summer Instead of ’50 Shades of Grey’ | Upworthy.com

101 Books To Read This Summer Instead of ’50 Shades of Grey’

This epic flowchart goes to great lengths to help you help yourself put down the trashy erotica.

Share it if you know anybody who’s reading “50 Shades” right now

via 101 Books To Read This Summer Instead of ’50 Shades of Grey’.

Ahhh…Summer, the Time of Beach Reads!

Top Ten Tuesday is an original feature/weekly meme created at The Broke and the Bookish.

Everyone is welcome to join.

Just link back to The Broke and the Bookish on your own Top Ten Tuesday post AND add your name to the Linky widget so that everyone can check out your list! If you don’t have a blog, just post your answers as a comment. Have fun with it! It’s a fun way to get to know your fellow bloggers.

Today’s Top Ten Tuesday Topic:
Ahhh…Summer, the Time of Beach Reads!

1.  The Blue Bistro by Elin Hilderbrand.  Set on Nantucket Island, as many of her books are, this is a sweet story involving (primarily) the restaurant staff of this popular eatery.  Perfect for a quick summer read.

2.  Home to Italy by Peter Pezzelli.  This is the first book I read by Pezzelli, and I was not disappointed.  It starts in Rhode Island with the death of Anna, Peppi’s wife, but it quickly transitions to Italy as he returns to the land of his birth, reconnects with an old friend, and falls in love again.  It’s predictable, but after a but of a herky-jerky start, Pezzelli settles into a quick & easy style that is perfect for a day at the beach.

3.  Angry Housewives Eating Bon Bons by Lorna Landvik.  As with most (or all?) of her books, this one is set in Minnesota, and centers around a group of women living on the same street who decide to start a book club.   It evolves to much more than that, of course, and though the arc of the story is fairly predictable, it is well written and has a lot meat on the bones.  Landvik has an writing style that makes for a fast, easy and enjoyable read, perfect for the beach.

5.  Bitsy’s Bait and BBQ by Pamela Morsi.  I was drawn to this book by the eye-catching title, and found it to be exactly the right thing for a summer read.  It is set in the South, a setting I love, and it has the predictable love story.  However, the writing is engaging and the characters are loveable, so it makes for a delightful read.

6.  Between, Georgia by Joshilyn Jackson.  This was Jackson’s debut novel, but the unusual title suggested right away that it would be a book worth reading.  I was not disappointed.  This is a Southern author whose works I love, and because characters reappear from time to time in different books, this first novel is the ideal place to start.  It is a quick and easy read, but truly enjoyable on every level.

7.  The Last Beach Bungalow by Jennie Nash.  A beach setting, which (obviously) is a great beach read.  I think I picked this up because of the cover art, and it was a lovely, if predictable, summer read.  Great for relaxing in the sun.

8.  The Wednesday Letters by Jason F. Wright.  I love epistolary novels, and this is no exception.  It is the story of a 39 year marriage, documented in a letter written each Wednesday by Jack to Laurel, and it plays out for their children, who are home to attend their funeral.  Though it sounds like a downer, it is not, and it is rich with all the elements of a classic love story.  Worth the time, and great for the beach despite the subject matter because it is quick and easy to read.

9.  Sweetgrass by Mary Alice Monroe.  I have read several of Monroe’s novels over the years, but I particularly loved this one.  I love the Southern setting of South Carolina, the typical “Southern” way (even in the way Monroe writes), and the cultural issues that she included.  It has an authentically Southern feel.  It also deals with some heavy subjects, but Monroe does not have a heavy hand, which makes it a lovely summer read.

10.  Hearts on a String by Kris Radish.  A story that illustrates a grandmother’s anecdote about the thread that connects all women, it is sweet and fun and easy to read.  Radish always has some fairly implausible element to her story lines, but in the end it doesn’t matter, because she touches you, entertains you, and lets you escape from regular life for a bit.  You will not be disappointed.

REWIND! Had to Have These Books, but They’re STILL Languishing on the Bookshelf…

Top Ten Tuesday is an original feature/weekly meme created at The Broke and the Bookish.

Everyone is welcome to join.

Just link back to The Broke and the Bookish on your own Top Ten Tuesday post AND add your name to the Linky widget so that everyone can check out your list! If you don’t have a blog, just post your answers as a comment. Have fun with it! It’s a fun way to get to know your fellow bloggers.

Today’s Top Ten Tuesday Topic:
REWIND!!
Top Ten Books I Had to Have…but are STILL Languishing on the Bookshelf
(click here for original post)

  1. The Millennium Series by Stieg Larsson
    I bought the audiobooks when they were first released because my husband & I were both interested in them, and we listen to audiobooks together on road trips.  They are still on the shelf almost a year later…one road trip this year, and not long enough for even one of those books.  Sad.
  2. A Thousand Splendid Sons by Khalid Hosseini
    I bought the audio version of this and The Kite Runner at the same time.  Listened to The Kite Runner and LOVED it, but have not gotten to this yet.
  3. The Chronicles of Narnia by C. S. Lewis
    This set has been on my shelf for at least 10 years, and has followed me through several moves.  I purchased it with the conviction that I should read it, because it’s an incredible shame that I never even knew they existed when I was an adolescent.  Still there…still waiting…
  4. Hearts in Atlantis & Insomnia by Stephen King
    I have loved Stephen King since I was in 9th grade, and have devoured 30ish of his books over the years.  For some reason these never made it past the bookshelf, and I eventually got rid of both, though I have since re-purchased Hearts in Atlantis in audio format.  The last several King books I’ve “read” were actually listening experiences, and that is proving to be my preference lately.
  5. If On a Winter’s Night a Traveler by Italo Calvino
    Purchased for a book group read, I had grand hopes of finishing it.  I barely got started, and with the distractions of a new baby and home renovations, it was abandoned and is still on the shelf.  I haven’t discarded it, so there is hope that eventually it will make it into the pile of current reads.
  6. Memoirs of a Geisha by Arthur Golden
    I bought this book when it was causing a stir on the book scene, and it sat on the shelf for years.  I finally sold it to the used bookstore, only to repurchase in audio format.  Still there, but I’m hoping to get to it this year.
  7. The Bourne Series by Robert Ludlum
    These sat on my shelf for years until I finally sold them when I was getting ready to move out of state.  They were a recommendation from my brother, and for some reason I never got excited about reading them, even after having seen the movies.  They are still on my TBR list, so hope is still alive that I will read them one day.
  8. Everything Monica McInerney has written
    McInerney is an Australian author, and I stumbled across her books Family Baggage and The Alphabet Sisters through http://www.dearreader.com.  I devoured those books and started looking for more, only to discover that the rest of her books had only been published in Australia.  Thanks to my online book club, I had a contact, and over the next year I exchanged books with her…she sent me the McInerney books I couldn’t get in the States, and I sent her book club selections that were difficult for her to find.  I have read a couple more of them and I love them, but I hate the thought of finishing the and having no more to look forward to, so I space them out.  Silly, I know, but sadly true.
  9. Complete sets of F. Scott Fitzgerald and Ernest Hemingway
    For some reason, I thought I needed “the complete set” of whatever classic author was on the radar at the moment.  So I bought them…in fact, I bought the book club editions, which have virtually no resale value when one decides to part with them.  I have not parted with them, but I’ve not read them either.  They do, at least, look good on the bookshelf.
  10. The Space Between Us & If Today Be Sweet by Thrity Umrigar
    I have been on an Indian literature kick for the past couple of years.  It’s not a constant pursuit, but when I find Indian novels that look interesting, I can’t resist buying them.  Not only did I purchase these, but I bought The Space Between Us at full price, which is almost unheard of for me.  They are still on the shelf, and I will get to them, but I signed myself up for all these reading challenges this year…

Updates 6-5-12: 

  • My husband and I (finally) listened to the first Larssen book – The Girl with the Dragon Tattoo – last year on a road trip.  We loved it, and we’ve been saving the other two until we can listen together.
  • I listened to This Side of Paradise by F. Scott Fitzgerald last year.  I recognize how good Fitzgerald always is, but I didn’t love the book.  So four down…
  • Listened to For Whom the Bell Tolls last year – well, half of it – and I thoroughly enjoyed the half I got through.  It is a long and heavy book, and after 9 discs, with 9 still to go, I needed some lighter fare.
  • I got rid of the Stephen King books (both heavy hardback editions), and I have Hearts in Atlantis on my audio shelf.  I doubt I will ever read Insomnia unless I get a renewed interest in all things Stephen King.  I’m still a fan, and I have read enough of his books to know that I’ve (likely) read the majority of his very best work already (The Stand, The Green Mile, The Tommyknockers, It, Salem’s Lot, all of his books from the 70s & 80s).  What I haven’t read (and still want to read) is already on my shelves (Lisey’s Story, Hearts in Atlantis, On Writing, some of his short stories / novellas).
  • I have added to my collect of Monica McInerney books as they have been published in the US, but have not (yet) gotten back to them.  I’m sort of savoring the memory of what I have read so far, and enjoying the anticipation of reading more.

That’s it!  More updates to come at some point…hopefully…unless I get sidetracked with some other wonderful book.  Too many books, and not nearly enough time to read them all.